σε αυτόν τον διαλογο εδω για την ταινια
inception
Nοσφερατος
απο την αλλη ανα θυμασαι μολις φτανει στο επτασφραγιστο μυστικό… την διαθηκη για την εταιρεια κλπ ανακαλυπτει οτι Δεν ηταν αυτο..αλλά οτι κατω απο αυτό ο Γερος που πεθαινε ειχε κρυψει το πιο βαθυ του μυστιικό ..μια χαρτνη ανεμοδουρα , ενα παιχνιδι
(ετσι γλισταμε στο ασυνειδητο μεσα απο την βασιλική οδο τα ονειρα ..και κατω απο καθε επιθυμια ανακαλυπτουμε μιαν αλλη και μιαν αλλη πάντα σε μια ατελειωτη καταβαση ωσπου να φτασουμε -ξανά; -στην αρχική μας μητρα ..(Δηθεν πάντα)
Rosebud
Citizen Kane
Citizen Kane | |
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Theatrical poster |
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Directed by | Orson Welles |
Produced by | Orson Welles |
Written by |
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Starring | |
Music by | Bernard Herrmann |
Cinematography | Gregg Toland |
Editing by | Robert Wise |
Studio | Mercury Theatre |
Distributed by | RKO Pictures |
Release date(s) | United States: 1 May 1941 |
Running time | 119 minutes |
Country | United States |
Language | English |
Budget | US$839,727[1] |
Gross revenue | Domestic $1,585,634 |
The story is a roman à clef that examines the life and legacy of Charles Foster Kane, played by Welles, a character based upon the American newspaper magnate William Randolph Hearst and Welles' own life. Upon its release, Hearst prohibited mention of the film in any of his newspapers. Kane's career in the publishing world is born of idealistic social service, but gradually evolves into a ruthless pursuit of power. Narrated principally through flashbacks, the story is revealed through the research of a newsreel reporter seeking to solve the mystery of the newspaper magnate's dying word: "Rosebud."
After his success in the theatre with his Mercury Players and his controversial 1938 radio broadcast of War of the Worlds, Welles was courted by Hollywood. He signed a contract with RKO Pictures in 1939. Unusual for an untried director, he was given the freedom to develop his own story and use his own cast and crew, and was given final cut privilege. Following two abortive attempts to get a project off the ground, he developed the screenplay of Citizen Kane with Herman Mankiewicz. Principal photography took place in 1940 and the film received its American release in 1941.
A critical success, Kane failed to recoup its costs at the box-office. The film faded from view soon after but its reputation was restored, initially by French critics and more widely after its American revival in 1956. There is a semi-official consensus among film critics that Citizen Kane is the greatest film ever made, which has led Roger Ebert to quip: "So it's settled: Citizen Kane is the official greatest film of all time."[2] It topped both the AFI's 100 Years.
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